Spring

This is the time of year when the water flows, both from the sky and from the ground. It fills the small creek and its smaller tributary by our house. Both of these are typically dry much of the year, but now they churn with life and the frogs rejoice. About a half mile or so up the hollow, it issues forth from under the rocks in a magical little nook in the hillside, sheltered by a huge, gnarly old buckeye tree.

A concrete cachement holds its fill, but mostly the water tumbles over tiers of mossy rocks amidst various vessels and assorted artifacts while Nataraja performs his dance of destruction in patinaed bronze to welcome the revival of the greenery.

Then it makes its way down to a small pool presided over by a more contemplative and anonymous ceramic deity, who offers her blessings as it flows out to join other rivulets and runoff, and continues on down the hill, past my shop, out to the larger creeks, rivers, and eventually the ocean.

Bon voyage!

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Stripes

Three Barnstormer laminated neck blanks.
From left~ walnut and osage orange; cherry and cucumbertree; walnut and cucumbertree.

The one on the right will end up looking like this:

I am very picky about the wood I use for one piece necks. I like it to be very straight-grained and clear to ensure stability, but not all wood is like that.
I like to be able to use wood that is not perfect. This is easy for the bodies of the guitars, as they are larger slabs of wood, and defects in them do not cause the problems that they would in the neck.
Very often, a board that would otherwise make a fine neck will have a small knot, crack or the grain may not be entirely straight.
In this case, what I do is cut it up into strips, keep the ones with no defects, and use the rest for other purposes, usually kindling.
Then, by arranging the good pieces in a manner that balances out the unstraight grain’s tendency to warp with humidity changes, and gluing them together, I end up with a neck blank that is actually stronger and more stable than a single piece of wood. This way, I can also combine different woods which not only looks nice, but allows allows me to use lighter weight woods in conjunction with stronger ones. I make one piece necks as well, as they are aesthetically pleasing in their own right, and are perfectly fine as long as the wood is the way I like it for this purpose.
This is nothing new of course, but is usually only done in necks with angled headstocks. Fender style necks with inline headstocks are almost always one piece, mostly because that is what people have come to expect, it is simpler, and it has always been easy enough to get plenty of suitable wood to make them this way.
I, of course have no problem with doing things differently, and like the way it looks, especially on the Barnstormer necks; it seems to fit well with the vintage aircraft motif that I have worked into this model.
The only complaints I have gotten so far are that some people don’t like the way the stripes look on the face of the headstock, which I can understand.

Again, I happen to like it in this context, but for those who don’t, an overlay can be put on the face. The example I show here is on a one piece neck, but you get the idea:

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new beginnings


This is where it starts.
Right here, and while chicken and egg theories are being debated into the ground, this little sapling will be growing into a red oak, possibly a majestic one, standing for hundreds of years. Maybe it will be cut down and turned into a barn that will endure the elements for another century, only to succumb to neglect and fall back to the earth yet again. Maybe then some crazy artist type will turn it into guitars and wonder what will become of them.

Probably not.

This particular specimen may be eaten by deer, crushed by a falling ancestor, or simply crowded out by its peers.
None of my concern, really; and if it does make it, I hope to be long gone by the time it pokes its crown through the canopy. But if I did have any say in the matter of its eventual fate, I would actually rather it lay on the ground and rot when the time comes, with nobody around to keep it from replenishing what is left of the soil on this land.

I would write a song about it, but I doubt I could do a better job than Matt Lindahl~

Posted in dismalia, flora, music, ruminations | 3 Comments

screech owl


This little screech owl took up residence in the rafters of our house last year around this time, and later on in the summer found a friend and disappeared. A few days ago, she showed up again in her old spot in the rafters, and we were all very delighted. This picture was taken through our bedroom window, about 12 feet away. She doesn’t seem to mind our presence, and serenades us with her whinnying song in the late evening and early morning.
This is one of the things that keeps me going when I get down and feel like giving up.
I don’t bother to wonder why or from whence such blessings are bestowed, but simply try to be there for them.

Posted in dismalia, fauna, ruminations | 3 Comments

Redbird redesign

The next few months will see a complete reimagining of the Redbird, a guitar inspired by the song “Red bird” by Arborea, a folk/psych duo from Maine, consisting of Shanti and Buck Curran. The song laments the destruction of the natural world by human development, and a percentage of the sale of each Redbird guitar will be donated to causes which help alleviate or avert this process. In addition, as Buck has dedicated this song to the people of Japan whose lives have been tragically affected by the recent earthquake, a large portion of these proceeds from the first new Redbirds will also go towards relief efforts there.  He and I have been collaborating on a new design which will still feature eastern red cedar, but will have a small, sleek, double cutaway body, a set neck, and two humbuckers.

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Barncat video

Well, once again it has been a long time since I posted anything, and not for lack of anything to write about.
I intend to get back to updating this blog more regularly with all sorts of details from my strange little world, and I will start off with this fun bit of Dismal Ax news:
Since my last post, Dismal Ax has been picked up by DestroyAllGuitars, a collective of builders organised by Cliff Cultreri, former executive and producer at Relativity records, responsible for bringing acts like Joe Satriani, Steve Vai, Megadeth, and many others to the world. DAG represents a wide array of talented luthiers with a huge variety of styles.
One very effective promotional tactic DAG uses is videos produced by, and featuring guitarist Lance Keltner
Here is the latest:

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Two new Muleskinners

Fresh out of the shop, and currently on their way to California.
These are the first in a new series of very basic, bolt-on neck guitars, similar to the classic Fender Telecaster, but with my own dismal interpretation.
This one has a one piece cucumbertree body, bakelite pickguard, and a very vintage feel and sound:
muleskinner sc

And this one has a hotter bridge pickup, and a p90 in the neck position for some serious attitude.
Body is butternut. Both have distressed finishes, and maple necks with black locust fretboards.
muleskinner sc

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New Dismal Ax logo

new logo

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catching up

So, I suppose it’s time I made an actual bona-fide post here. I have been preoccupied with many other things which provide convenient excuses to avoid writing, which I already tend to do anyway, even when I do have some actual subject matter at hand. Since I’m having such a hard time figuring out what to write about, I will just run over some of the stuff I have been doing lately. As always, I have more projects going on than I know what to do with; and yet, I keep dreaming up more.
Not much is actually going on in the shop right now, other than a small job I’m doing for a friend; reworking an old phonograph console cabinet into a more useful piece of furniture, the music making parts being long gone. The guitars are in a state of suspended evolution, while I work out various new building methods and solidify the designs that have been coalescing of their own accord over the past few years. I have overhauled the entire website recently, which has given me a chance to flesh out these designs from a modal angle, better defining the various models not just in a practical sense, but in terms of the themes they employ, and how those themes relate to the greater dismal ax motif and mythos.
Outside the shop, I am building a shed addition which will house the wood burning furnace that is currently on the front porch. This will also involve enclosing the underside of the shop, which is on sloping terrain, gaining altitude with each downhill addition. Hopefully, I will be able to finally keep it relatively warm in the shop this winter. The shed will also serve as sort of a small greenhouse, the front wall being mostly glass.
Further up the driveway, at the house, similar winter oriented projects are going on, as they tend to do this time of year. Each time around, it gets a little better. And it is certainly fall now; feels like it, smells like it, and the sunlight starts hitting deeper into the house, glaring off the floor into the kitchen; my favorite time of year, for sure.

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behold the blog

OK, so this is my first attempt at one of these things.

Hopefully, I will keep it going somewhat consistently; but I am prone to periods of hibernation, so there may be some lean times here. Comments from readers will definitely help keep me at it, so please chime in if you feel so inclined.

Here we go…

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